Pecha Kucha presentation planning

Slide 1 - (Intro)

Slide 2/3 - 

• Beginning in this course I initially learned how to use the photography studio, having wanting to study photography
• How to use a DLSR camera 
• Silhouette photography development

• Importance of composition and how to use this to tell a story

Slide 4 -

• Doing photography within the course inspired activities outside - what I have experienced
• Things like script-writing, reading, and speaking to people in pre-production at SUMS film internship

Slide 5 -

• What I have experienced outside the course in terms of film 
• The course allowed me to take part in extracurricular activities, where I learned skills in Adobe Premiere Pro at the BFI Film Academy.
• Pinewood studios exp, experience with assistant directors, camera trainees - first given call sheet with my name.

Slide 6 -

• Final Major Project first year. 
• Skills in Bookwright and Photoshop
• The book gave me the opportunity to develop my photography and become more confident with a camera and story, and how to make an impact on an audience as a media practitioner 

Slide 7 - 

• After FMP, progressing into what I have learned in my second year
• Learning a new theory

Slide 8 -

• Specialist study - exploring the truth of photojournalism 
• Has photojournalism acted as good documentation of political/ historical times?

Slide 9 -

• Photojournalism explored outside of this course: Had experience with Alex Bailey where we explored photojournalism theory, and explored the work of Henri Cartier Bresson
• Completing a 2yr program at the BBC acted as a foundation to my journalism knowledge

Slide 10 -

• Idea 1, Photographs that will reflect a political story to do with the theme of immigration between the UK and Europe, with film photography hidden in a box and digital print photography presented in a collection.
• The idea that photos in a box represent hidden emotions, and photos on display happier emotions using symbolic photojournalism
• Also create a small book that introduces the project, giving some contextual history behind the idea and instructions as to how you view the photographs

Slide 11 -

• Idea 2, all photos in film photography and Polaroids
• Writing on Polaroids as shown, the writing would be real quotes from people who have been through migration problems

Slide 12 -

• The last idea following only Michel Szulc's photography, collection of A2-A3 printed photographs that follow a story visually in collection
• The same idea of a journalistic, political story
• Photo montage / collage 
• Sequence photography